CHILDRENS BOOKS

NIAH’S MAGIC (published 2021)
Author: Nina Waldman
Illustrator: Marion Strunck
Layout of text & font: Victoria Wolf
Publisher: Shelly Wilhelm from mywordpublishing.com, Nina Waldman from LoveBug Publishing
Shop here:
https://www.amazon.co.uk/Niahs-Magic
In 2020 Nina Waldman contacted me to ask me to illustrate her children’s book. She is a first-time author and had a story that was very close to her heart about her daughter Niah. I started doing lots of exploratory sketches and storyboards. After storyboarding was complete, I created rough sketches for composition and details, which I then used as basis for the illustrations. Nina wanted the book to be very colourful with lots of butterflies, rainbows and flowers.
Here you can see the 16 final double-spread illustrations I made for the book (including the cover for which I initally offered a different font):

SKETCHES
Here you can see the tied-down versions of the pages, in which I explored the composition and details so that I would have a basis for when I was going to colour them later. I also pencilled in where the middle of the book would be so as to not put any important characters there, and where the bleed (where the pages get cut) would be as well as page numbers.

CHARACTER DESIGNS
These character design explorations I created while working on the storyboard, Nina gave me photos of the girls so I tried to get their likeness into my drawings and also figure out what kind of style to choose for the book (which kind of eyes for the girls for example). For the treehouse it was a question of what colour the doors would be, which background colour would fit best and also, what kind of ways the girls would be able to climb up on it, a slide, stairs, a ladder, some vines or just branches?

STORYBOARDS
At first I made a storyboard by sketching in pencil - black and white (you can see it if you scroll further down). But since this was going to be such a colourful book I scanned in the first storyboard version and painted over it to give rough pointers of where the colours would be. The storyboard developed with every version. I had the idea of letting the parts where Niah goes into the “scary” part of the world black/white/grey coloured so that there would only be colour in the “happy” part of the world. But in the end it was nicer to have it all coloured since it is a book for children.

Here the first version of the storyboard - back then I had imagined it to be the text being on one page and the illustrations on the other page (like in one of my favourite German’s children’s book “Tomte Tummetott”.) But as the book developed Nina asked for doublespread illustrations and the publisher Shelly Wilhelms thought it would be more interesting if the text was in a different place every page. I have removed the text here for copyright purposes.

OTHER CHILDREN’S BOOKS DEVELOPMENT
And here are some exploratory sketches I did for other children’s books in development.